![]() ![]() ![]() I feel much more comfortable working at around f/4. "I don't normally like to work deeper than an f/8, and I never work wider than f/2.8 in anamorphic. I used the faster stock to maintain my depth of field." - John Toll. I would basically switch to the faster stock when we started to get a light reading below 2.8 I didn't want to shoot 48 wide open on anamorphic lenses because of the lack of depth. For the lower-light situations and interiors, I used the Vision 5279. "It was primarily a day exterior shoot, so I used Kodak's 5248 outside. Every time we put on a tighter lens it just felt as if we were missing something." - John Toll. We were constantly fighting to get as much of the geography into the frame as we could. Our close-ups were mainly done with the 75mm or 100mm. "It was pretty much a wide-angle movie, so we shot mainly with wider lenses, like the 40mm and 50mm.
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